Shot-on-video movies have become an often overlooked aspect of the medium’s history, with many of the early purveyors making shock content on shoe-string budgets for small audiences, usually made with ‘home movie cameras’ with friends in starring roles. However, as the internet has allowed for a renewed interest in all manners of outsider and fringe cinema, there has been a new appreciation for those who started working in the genre and an interest in cult-film distributors in unearthing forgotten treasures. For fans of the SOV cinema of the ’80s through the ’90s, it has never been a more prosperous and exciting time to delve into the micro-genre.