When considering modern warfare, most Americans don’t imagine an air-conditioned box in the middle of the Nevada desert, in which a soldier operates a drone from 7,400 miles away. That’s because, thanks to technological advancements in weaponry, monitoring and destroying ‘enemy’ targets has become as easy as pressing a button on a video game controller. The 2014 war drama Good Kill, written and directed by Andrew Niccol, draws audiences into this world of drones and dread, presenting a labyrinth of moral dilemmas that are, frighteningly, all too real.