Michael Keaton has a 73-year-old’s midlife crisis in Goodrich, a melodramatic comedy with no surprises, one-note characters, and unrealistic dialogue. The premise has the owner of a struggling boutique art gallery forced to raise his young children when his second wife absconds to rehab. Complications arise even further as his pregnant adult daughter feels slighted by his newfound attention to her half-siblings. It’s a sitcom blended into a soap opera smoothie with a saccharine aftertaste.